Demystifying Book Writing III

This is more a progress report than a full-fledged update. I hit a speed bump about 36 hours ago. I started Chapter 3 but no matter what I wrote it was dull, dull, dull. I realized last night what the problem was. I didn’t know enough.  I remembered something I learned a long time ago as a teacher. In order to explain even a small point clearly I need a mountain of information. Albert Einstein said it better: “If you can’t explain it simply, you don’t understand it well enough”.

So, it’s back to the books (or Internet) for me. I know more this morning than I did last night but the journey continues. This exercise reminds me that there is no shortcut to a responsible, well-written book. And, even if no one ever reads my book, I don’t want anything less.

Demystifying Book Writing Part II

book for mystifying blog

I am in the process of writing another small book. A particular kind of concentration is required to complete this project.  There may be people who write from pure inspiration; that’s not me.  Inspiration is essential but not enough. Information is equally important, and patience.

The idea for my book took root only a couple of weeks ago. I had been itching to start on a book for a while but needed to hit on something that grabbed my imagination. Once I got the idea it germinated for a few days. Then I started reading. As I read I began to understand what I needed to learn about my subject. At that point my plan was taking clear shape.

However, I never know if a plan has ‘legs’ until I put words down on paper. Usually I just jump in. I find pictures that are interesting, and random bits of fascinating trivia. I’ve grown familiar with my subject by this stage, so there’s context in which to place the material. This is one of the best parts about writing. I know so much more than I did,  because I’ve been studying.

I love that.

As I put material on paper the practicality of my plan is either validated or not. Often the words lead me in a path that diverges from the original plan. That’s also something I enjoy. When this happens, I’m not just writing for others; I’m also writing for myself. Often I inflict my excitement on family and start to tell them about my discoveries.  This exercise is very helpful and I am grateful to my family for the kindness they extend to me.

The need to frame my thoughts into words that make sense to other people–my family–requires discipline. Not only must I speak logically, but I have to honestly observe the reaction to what I believe to be fascinating information. If people are bored, I’m in trouble.

On the other hand, if my family shows more than polite interest in the material I share, there’s a good chance my intended audience will be engaged.

I’m pretty sure where my current book is going, what my next step has to be.  I certainly know where the book finishes (although sometimes I may be surprised by that).  The beginning is down; the path is set.  The middle will be an adventure as I follow the stepping stones, the highlights of history that will direct the story I would like to tell.

One thing I can’t lose sight of is the audience.  If the attention of the audience is lost, so too is my objective.

The way I go about writing a book certainly will not work for everyone.  My ambition in my current project is very modest.  The intended audience is young people, though I anticipate that the occasional mature reader who stumbles upon the book will not regret the experience.

I love to write.  When I’m finished with a book, I pass it on and hope it has a life of its own. For anyone who creates anything, that is a miracle every time it happens.

Student Writing Tip #2: Exclamation Marks

 

frog surprise

Though it is true that even the most information-laden pieces need energy, that energy should come from words, not punctuation.  Just as a human being cannot live well in a perpetual state of excitement, few writing pieces bear up well under a constant stream of commands by the author to be excited or surprised. Readers soon weary of the ubiquitous exclamation so that eventually it loses its power and simply becomes a distraction. Use the exclamation mark sparingly; this handy punctuation tool can assist in adding emphasis, but only if used appropriately.

Weak writing depends on punctuation to convey meaning.  Punctuation enhances and supports a piece; it does not carry the piece.  If you want to show excitement, then show it through description and pacing of narrative.  The following examples demonstrate how that might be done:

Example #1

It was a quiet day.   I walked along the lane and contemplated all the birthdays I’d had in the past.  Some had been fun and  some had not been very enjoyable. However, none of them had been dull.  I began to feel  sorry for myself. Very soon this feeling passed because a group of friends was waiting for me at the end of the lane.  This was going to be a good day after all.

Example #2

I walked home that day, as I did every other.  This was going to be the dullest birthday I’d ever had. No one remembered me.  No one gave me a present or threw me a party.

I refused to cry in public, but tears welled in my eyes and threatened to flow.  I brushed them away so I could see where I was going.

What was that up ahead? Johanna, Bill, Andrew and so many others, waiting for me!  They were laughing, carrying balloons and wearing party hats.  Right in the middle of the park they were throwing a party. I could tell this was going to be the best birthday ever.   

Both example describe the same scene.  The second example is more effective for several reasons. These have to do with punctuation, descriptive language and pacing.

The first paragraph has seven periods and one comma.  The second has many commas and periods.  There is also an exclamation mark and one question mark.  Not only do these various signs give clues to reader about how to read the piece, but they also provide visual interest.

In the first paragraph the narrator tells us about feelings but doesn’t give us any insight into those feelings.  The second example gives details and uses specific descriptive words so the reader can see what the writer imagines.

Now, think of the emotional pace in each example.  In the first example, the emotion is flat. Neither the words nor punctuation provided any energy.  In the second example, however, there is a definite movement in energy.  It begins low and peaks, then subsides again.  The exclamation mark does help to indicate where the piece peaks but it does not do this work alone.  The writer has built to this point and then gently allows the reader settle into a quieter mode again.

Exclamation marks can be very useful, as the use of exclamation shows in the second example.  However, the true power in a piece comes from the writer’s craft, from the use of words that convey emotion and action. Exclamation marks enhance, but do not replace, good writing.