What Do We Do About Inequality? Book Review

russina-revoluiton-soviet_union_lenin_55
Lenin, giving a speech to the troops, 1920. Picture by G. Goldshtein.  Copyright expired.

The title of this essay collection, “What Do We Do About Inequality?, is a bit like a traffic sign. We’re clearly told the orientation of the book and where it will take us if we decide to read further. Some readers will see this title and follow the path. Those who do, likely will proceed for one of two reasons: either they believe inequality is a problem that needs correction, or, they believe the issue of inequality is a straw dog, and they’re eager to shoot down the arguments of those who stress about it. Of course, some who read this title will look away. They may believe the issue has nothing to do with them, or is so intractable that discussion is pointless.

The greatest value of “What Do We Do About Inequality? is that it doesn’t offer one solution, or even one point of view. It gives space to commentators who have a variety of perspectives. Readers should be prepared to agree, disagree, or shake their heads in puzzlement. As informative as some essays are, a few others get bogged down in jargon that will mean little to lay readers. However, on the whole, the contributors to this book have a great deal to offer. The inequalities considered are not limited to economic disparity, but also include other manifestations of inequality, including race and gender.

One essay I found persuasive, “The Age of Inequality: Causes, Discontents and A Radical Way Forward“, was written by Jason Hickel and Alnoor Ladha. Hickel and Ladha offer a fact-based analysis of economic inequality. In the view of these authors, inequality is a “self-perpetuating cycle: the rich are able to buy policy decisions that shore up the very system that delivered them their wealth in the first place.” The Hickel/Ladha analysis suggests two remedies they describe as cosmetic, but nonetheless essential: impose a global tax on capital and institute a minimum “living wage” that is pegged to inflation. True reform, however, will not come, the authors assert, until more profound changes are effected: the global “power imbalance” must be corrected.

What Do We Do About Inequality? is an important book. Chris Oestereich, its editor (and a key contributor) has created a platform for comparing ideas about a core social issue. It’s hard to find an area of life, or of the world, that inequality does not influence. Those who enjoy the privileges of inequality, whether it be racial, religious, gender or economic, may not regard inequality as a problem. This fortunate minority live in a bubble of denial. Moral considerations aside, resentment engendered by inequality is noxious and enduring. To ignore simmering discontent is to invite a chaotic, volatile, and spontaneous solution. This would certainly bring change, but of the sort that would have profound and unpredictable consequences.

If we look to history, we see clearly how gross inequality can destabilize government and social order. The French and Russian Revolutions, for example, were instigated largely by the issue of inequality. Even in the United States, dramatic government reform was enacted during the Great Depression, largely to forestall civic unrest. There was very real concern that growing inequality would lead to an uprising by those who were suffering.

It may be true that the poor will always be among us, but the number of poor and the degree of their poverty, according to “What Do We Do About Inequality?“, can be affected by rational application of sound social and political reform. It’s either that, or wait for the despair of the poor to overwhelm them. At that point, upheaval will undermine the social order, an order that seems secure to those who exist in remote perches of privilege.

The Red Petticoat: A Collection of Poems

chidren-of-lir-ler_swans_millar-2
This illustration is from a 1905 book of Irish legends, Celtic Myth and Legend, by Charles Squire.

By Joan Slowey

People sometimes ask what the difference between prose and poetry is. Certainly the lines between these two forms have blurred in modern times, but generally a reader expects prose to have literal significance and poetry to have an emotional component. It would be good to keep this distinction in mind as you read Joan Slowey’s The Red Petticoat.

Joan Slowey’s poetry is personal and yet it has the kind of emotional resonance that echos in the ear and the heart of the reader. Ms. Slowey draws upon her experience. The tone of her work tends to be reflective as she looks back over a lifetime of joy, love, and loss. She uses language that has significance for her, that draws upon her Irish roots. Gaelic words pepper her writing, as do characters from Irish lore. At one point she writes an entire haiku in Gaelic. This is her heart and her psyche speaking, of her tradition and to her tradition. All of it works.

Ms. Slowey covers a variety of subjects. In each case there is evidence of a mature intelligence and a deep empathy. Ms. Slowey has witnessed the full cycle of life and is coming to terms with her place in that cycle. In Minus One, for example, she mourns the passing of her “own particular Adam.” Her “magic circle” has been broken and she wonders

insert-slowey

Two of my favorite poems draw upon her insight as a sentient observer.  One haiku, for example, notes the slime of a snail on her patio and ends with the line, “Well, snails must live too”.   Another, more thought-provoking piece contemplates a creature even more despised than the snail: a flasher.  In this poem, entitled, The Flasher, she lends complexity to a subject most of us dismiss out of hand.  What is the dark secret behind such a low act?  She wonders, as the poem draws to an end,

‘Did he shake with wicked glee?” or did he “Turn away to hide?”

The Red Petticoat is a slim volume. Its brevity invites a leisurely read, and perhaps a re-read.  If you indulge in this temptation you’re bound to find a gem, one poem that resonates with you as so many in this collection did with me.

I highly recommend Joan Slowey’s The Red Petticoat.

 

A. G. Moore 9/2016