Modern Arcana Not Responsible for Broken Windshields, By Tom Wingerd: Book Review

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Image from the FEMA Photo Library.  Picture taken by Win Henderson.  Public Domain.

 

In Modern Arcana: Not Responsible for Broken Windshields, Tom Wingerd writes about relationships–not the sort that exist between family and friends, but the sort we all have to everything and everyone. Wingerd writes: “Your house, car, office, city are all affected by your daily interactions in space.” He states further, “Your life is the combination of your movement through space, and the ripple impact of every one of your actions…”. These are weighty pronouncements, but they don’t come across as such in the book.

Mr. Wingerd offers prescriptions for existing in an interrelated universe. With each of his statements he provides a pictorial representation of the concept. The effect on the reader is not one of complements but of exponents. This may be by design or it may merely prove his thesis: everything we see and do, everything that exists, affects everything else. Mr. Wingerd has an analytic approach to his subject. Some of his propositions are structured as mathematical formulas and, he makes clear, these formulas operate in a relative universe.

Though this is a book with a philosophical perspective, Mr. Wingerd at times adopts a light tone. He writes, for example, about his bisexual wife and gay son. A few pages later he admits that his son isn’t “real” but is a “six year old figment of my imagination, named Orion”. In another segment he advises:

Trust your heart first
Your brain second
And your
Genitals
Well
They’ll do what they want anyway.

Before I began reading Modern Arcana: Not Responsible for Broken Windshields, I didn’t pay much attention to the title. After finishing the book I googled the phrase, “Not Responsible for Broken Windshields”. It turns out this is a statement likely to be found on the back of trucks that spew window-shattering debris. The driver’s message is clear: I’m not responsible for how my existence, how my behavior, affects you. Mr. Wingerd’s book is a refutation of that notion.

I enjoyed this book and I related to the author’s mindset. His pictures are as evocative as his words. The book would be a stimulating read for anyone who is inclined to be philosophical. It would be a great gift for someone who is not philosophically inclined, especially if that person is likely to post a sign that asserts: “Not Responsible for Broken Windshields”.

 

A. G. Moore October 3, 20017

On an Acre Shy of Eternity: Micro Landscapes at the Edge, By Robert Dash, Book Review

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In On an Acre Shy of Eternity: Micro Landscapes at the Edge, Robert Dash directs the lens of an electron microscope toward the universe on his doorstep. This enables him to bring into view an otherwise invisible world. He describes his impression of this vision: “I am stunned that a space this small can have a library this large.”

In the preface to his book, Dash suggests that he considers the book to be a sequel to Blake’s lines, “To see the world in a grain of sand”.  If Dash’s intention is to inspire awareness in readers, he has realized his wish. I, personally, was spellbound by the vitality evident in a speck of pollen. My awe was intensified by successive pictures that together revealed the logic in nature’s purpose.

It is often suggested, by medical professionals and seers, that people look inwards to understand themselves, and to find peace. Mr. Dash demonstrates that perhaps looking out, very closely, may be as inspiring an exercise. There, on our doorsteps, an extension of our own existence may be discovered.

One photo that is particularly effective shows the underside of a tree leaf. In vivid color, we see stomata carrying on their function. This function is as essential to human life as it is to the life of the tree. Stomata inhale as we exhale, and exhale as we inhale. It is the same breath, exchanged and returned, between plant and human. We sustain each other.

Mr. Dash writes poetry to accompany his pictures. The poetry is unaffected and expressive. I especially enjoyed “Moon Came By”, in which the moon drops “gold light on rowdy black waves”.  The imagery is original, and memorable.  As charming as the writing is, though, it is not necessary to the book.  The heart of this book, its life, is in the pictures.

On an Acre Shy of Eternity: Micro Landscapes at the Edge is a visually striking and conceptually unique book. I highly recommend it.

A. G. Moore 9/2017

Seasons of the Heart: Book Review

Yolanda Grace Guerra

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Poetry offers a window into the character of an artist, as few mediums do. In Yolanda Grace Guerra’s “Seasons of the Heart”, readers are acutely aware of this window because the poet writes in a clear, straightforward voice—a voice that is compassionate, perceptive and wise.

Each poem in this collection is accompanied by a date. The poems cover approximately 40 years of effort. Although the compilation offers a thematic arrangement of the work, I tried to read the pieces in chronological order so that I could see how the poet evolved as she matured. Surprisingly, the early poems reflect, to a significant degree, the wisdom and insight of the later work.

For example, “My Father”, written in 1964, describes Ms. Guerra’s father in his declining years. The poem begins: “Each day that comes will bring the face of yesterday”. These words are arresting in their mix of simplicity and understanding. As the poem progresses, Ms. Guerra is unflinching in her observation: “I wake each day to find a gray old man—who now stumbles in the dark as he thinks of yesterday”. And finally, she ends with: “He cared for us, he must have once—he cannot be my father”. Remarkably, Ms. Guerra was only 23 when she wrote these lines.

“Seasons of the Heart” was compiled by Ms. Guerra’s daughter, Sylvia Stankewich, who has left her name out of the book. I credit her here because she has created a fine tribute to her mother and has given the rest of us a gift.

Not all the poetry in “Seasons of the Heart” is weighty and profound. Whimsy steals into the work, as in the fanciful “The Cat Who Wanted Wings”. Here we meet a “foolish” cat who wants to sprout wings. However, we are advised, if this ambition is realized, the rats will grow fat. We are left at the end with the image of a fat cat, sitting on a branch. This misguided animal tries “to tweet, but only a meow would come”.

Readers are fortunate that Yolanda Grace Guerra recorded her life as she lived it. And we are fortunate that her daughter saw the value in her mother’s words and the merit in keeping a promise to publish these poems posthumously.

I highly recommend Yolanda Grace Guerra’s “Seasons of the Heart”.

 

A. G. Moore  July, 2017