Susan: Convict’s daughter, soldier’s wife, nobody’s fool, By Stella Budrikis

susan book review aldershoot 1866.jpg
Garrison town, Aldershot, England, where David Whybrew was stationed in 1871. 

Book Review by A. G. Moore

Stella Budrikis’ excellent biography, Susan, takes readers on a journey through the hardscrabble existence of Australia’s early European settlers. The eponymous Susan is Susan Mason, the author’s great–great grandmother.  The characters in this book are real people who struggle in the harshest of circumstances.  Fortune, will and physical endurance allow some to reach maturity and raise families.  Survival is a lottery in which perseverance and serendipity play equal roles.

Nature granted Susan the ability to bear numerous children.  Fortune took many of these from her.  This was a common occurrence at that time, but more likely to befall those who were crowded into the hull of a ship or crammed into a fetid slum where immigrants congregated.

Susan eventually migrated to England, where she settled with her husband, David Whybrew, a soldier in the British army. David’s income barely supported the growing Whybrew family. Throughout her sojourn in Australia and England, Susan had repeated contact with the police. Indeed much of the record cited in this book is derived from official court records.   Budrikis does not shrink from the less attractive aspects of Susan’s life. It is the author’s unflinching treatment of her subject that renders her narrative credible.

One of the several Whybrew children who did reach maturity, Eliza, was destined to be the author’s great grandmother. Eliza’s life followed a very different path from Susan’s. This may have been partly due to temperament and partly to the influence of her husband, William Beales.  Beales and his family were active in the Salvation Army.  This involvement likely offered Eliza the sort of stable guidance that had not been available to Susan.

In the “Afterword” to Susan, Budrikis wonders if she’s done right by her forbear in telling this story  without attempting to conceal blemishes. Budrikis writes, “I hope that by telling her story I have given her, and other women like her, a recognition that they were denied in their lifetime”.  Indeed she has. Susan Mason made choices that put her afoul of the law and forged for her a chaotic path through life.  But those choices also helped her to survive.  Susan Mason and thousands of others had only their wits and their determination to help them prevail over daunting odds.  They survived.  When life is stripped to its barest essentials, that becomes the ultimate test of character.

Stella Budrikis has written a book about more than family legacy.  It is about a time and place in history, about pioneers who were essential to the foundation of Australia.  The book is informative and entertaining.  I highly recommend it.

 

Ms. Budrikis maintains a website that traces her family history.  It is a fascinating read.

 

 

Modern Arcana Not Responsible for Broken Windshields, By Tom Wingerd: Book Review

FEMA_-_44376_-_truck_windshield_with_hail_damage_in_OK.jpg
Image from the FEMA Photo Library.  Picture taken by Win Henderson.  Public Domain.

 

In Modern Arcana: Not Responsible for Broken Windshields, Tom Wingerd writes about relationships–not the sort that exist between family and friends, but the sort we all have to everything and everyone. Wingerd writes: “Your house, car, office, city are all affected by your daily interactions in space.” He states further, “Your life is the combination of your movement through space, and the ripple impact of every one of your actions…”. These are weighty pronouncements, but they don’t come across as such in the book.

Mr. Wingerd offers prescriptions for existing in an interrelated universe. With each of his statements he provides a pictorial representation of the concept. The effect on the reader is not one of complements but of exponents. This may be by design or it may merely prove his thesis: everything we see and do, everything that exists, affects everything else. Mr. Wingerd has an analytic approach to his subject. Some of his propositions are structured as mathematical formulas and, he makes clear, these formulas operate in a relative universe.

Though this is a book with a philosophical perspective, Mr. Wingerd at times adopts a light tone. He writes, for example, about his bisexual wife and gay son. A few pages later he admits that his son isn’t “real” but is a “six year old figment of my imagination, named Orion”. In another segment he advises:

Trust your heart first
Your brain second
And your
Genitals
Well
They’ll do what they want anyway.

Before I began reading Modern Arcana: Not Responsible for Broken Windshields, I didn’t pay much attention to the title. After finishing the book I googled the phrase, “Not Responsible for Broken Windshields”. It turns out this is a statement likely to be found on the back of trucks that spew window-shattering debris. The driver’s message is clear: I’m not responsible for how my existence, how my behavior, affects you. Mr. Wingerd’s book is a refutation of that notion.

I enjoyed this book and I related to the author’s mindset. His pictures are as evocative as his words. The book would be a stimulating read for anyone who is inclined to be philosophical. It would be a great gift for someone who is not philosophically inclined, especially if that person is likely to post a sign that asserts: “Not Responsible for Broken Windshields”.

 

A. G. Moore October 3, 20017

Art in China

Six Gentlemen, by Ni Zan (1301-1374)

Ni Zan - Six Gentlemen

China is much in the news.  It seems that many in the West cannot decide whether China is a worthy ally or a wily competitor.  The lack of clarity arises not so much from linguistic barriers as it does from a cultural disconnect.  We in the West, particularly in the United States, don’t know much about China.  We buy Chinese goods and many of us enjoy Chinese food.  Student exchange programs with China have increased in recent years, but familiarity with our distant Asian neighbors is limited in scope.  Any attempt to increase understanding of China is a step forward.  One path that may take us in that direction is through China’s art, particularly a style of art known as literati painting.

On this page are four landscape paintings, all of them either in literati style, or influenced by the literati.  Comparing the four paintings reveals something fascinating: this style of painting has remained essentially consistent for hundreds of years.  That is not a coincidence.  That is a reflection of a profoundly significant aspect of China’s culture.  Tradition and history are revered, preserved and emulated.

As Westerners attempt to achieve an understanding of the modern powerhouse that is China, they would do well to regard its past.  China’s traditional art offers a readily available, aesthetically beguiling opportunity to do that.

Joint Landscape by Shen Zhou (1427-1509) and Wen Zhengming (1470-1559)

shen zhou Joint Landscape rhythm MET_DP235702_CRD

 

Hermitage in the Mountains, by Tang Yifen (1778-1853)

Tang Fi 1856 'Hermitage in the_Mountains' rhythm,_painting_by_T'ang_I-fen

 

The Painting by Gao Jianfu 2, by Gao Jianfu (1879-1951)

gao jianfu 1935 rhythm

An essay in which I go into greater length about the importance of tradition in China may be found at another website I maintain, noplaceforrumors.com:

https://noplaceforrumors.wordpress.com/2017/09/19/four-masters-of-yuan-and-literati-art-tradition-in-china-from-mongol-rule-to-modern-times/